“… just because we’ve been … dealt a certain hand … it doesn’t mean that we can’t choose to rise above — to conquer the boundaries of a destiny that none of us wanted. To try and retain whatever essential humanity we can.”
– Vampire Edward Cullen in Stephenie Meyer’s “Twilight.”
Twilight presents an interesting literary dilemma. What category do we place Stephenie Meyer’s successful novels of love between vampire Edward and klutzy, attractive mortal, Bella Swan, who spends most of the four-novel series pining to become undead?
For those unfamiliar with the series — “Twilight,” “New Moon,” “Eclipse” and “Breaking Dawn” — it involves high-schooler Bella Swan, who moves to rainy, overcast Forks, Wash., to live with her dad, Charlie, the local police chief. She becomes drawn to the hyper-beautiful Cullen clan, led by youngish doctor Carlisle. Bella develops a bond with Carlisle’s “son,” Edward, who is hesitant to act on but unable to resist their clear romantic attraction. Bella learns the clan — Edward, Carlisle, wife Emse, and couples Emmett Cullen and Rosalie Hale, and Alice Cullen and Jasper Hale — are vampires. The clan has — through self-control — shed most bloodthirsty tendencies and are “vegetarians,” meaning they consume animal blood.
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